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Friday 14 August 2009

Back to the Old Chopping Block

This summer I have been lucky enough to take not one, but TWO vacations. Check out these albums.



Sầm Sơn beach was the site of my Very Vietnamese Vacation.






Then it was off to the U.S.A. to enjoy some genuine hometown Americana.




Finally, "Optimus Prime goes to America" is the trilingual story of my four-inch friend, the transformer and polyglot Optimus Prime, who tagged along with me.


But the fun is now over, and I have to get back to the old chopping block.

I have been back in Hanoi now for three and a half weeks, and things are pretty much back to normal. By "normal" I mean to say that things are not going as planned. Just to make sure I didn't fall under the erroneous assumption that I really understand how things work in Vietnam, after a week with my new host family I was informed that I had to move out.

According to the police, that particular area--near the train station--is "complicated," and no amount of letters from MCC, from The Gioi Publishers, or even from PACCOM (the governmental branch that deals with NGOs) will convince them to let me stay. And apparently it's not about fishing for bribes, either. Nope. It's just..."complicated."

So I am back at my boss's house, which is not so bad because it means I get to hang out with the new SALTers, Calah, and Alicia, whose blogs, by the way, are also awesome. (Click on their names! Do it!)

This year I will be working half-time with MCC projects and the other half with The Gioi Publishers. For today I'm at The Gioi, and I had forgotten how entertaining it can be sometimes at the old chopping block. At the moment I am hacking away at a French-to-English translation entitled "The Land" (as if there were only one in the world). Here are some delightful tidbits:
  • "The Vietnamese traditional town is a vegetal one." (p.2)
  • "Resorting to geomancy and the equilibrium of flux, the town does not at all break up with its landscape territory, but rather integrates it in man's dwellings and works in a continual and permanent way." (p.3)
  • "Thus, beyond the Western reading of the rupture between town and countryside, here, a first deep identity makes itself found. By doing so, a generating principle of the urban space of the delta gets clear, proceeding through the confined space of the villages." (p.4) [and so on and so forth for 21 pages]
If anyone can tell me what the "equilibrium of flux" is or what exactly it is that supposedly "gets clear," please call me. 0127410128.

In conclusion, as you can see, things are right back to normal. The combined mysteries of Vietnamese police and French academicians have thrust me back into nearly the same state I was in when I first came to Vietnam. Namely, a state made up of equal parts confusion and amusement, combined with a growing awareness that I have a lot to learn. It's not a bad state to be in. It almost feels like home.

Yet another thanks to those who helped me journey back home this July. It was both restful and fun. To those of you whom I was able to see, it was a joy. To those of you whom I wasn't, you are still in my thoughts and prayers.

God bless,
Hannah